I told you I had some news in my last post. The news is that I’ve been asked to go to Europe to represent a film! I never imagined the idea of just packing up and going to Europe unless I had a legitimate and creative reason to go, and here it is. My dream country to visit is France. I want to experience what the Harlem Renaissance writers felt when they went there. I took French in high school and college, but most of it is forgotten because I didn’t have a practice partner. I’d probably be fluent in Spanish if I took as many classes and spoke to every Spanish speaking person in Los Angeles that I encountered living my life here.

The film 41st & Central: The Untold Story Of The LA Black Panthers is being screened in Stockholm and Berlin. I don’t speak Swedish, but I do have German ancestors on both sides of my family, so this trip would be a homecoming too. I won’t have time to go to Hamburg to check the emigration records, but at least I’ll have the chance to make contacts in the country to come back when it’s time. Being there to represent the film is more relevant to what’s going on right now, right now.

2017 marks the 25th anniversary of the LA Riots. Some of the conditions that led to this uprising existed during the rise and fall of the Black Panther Party in Los Angeles: high unemployment and police repression. In these divided times, it’s so important to look back on the history of what causes these divisions and how far we’ve come in our healing. Will we have to deal with the same issues again under our new president, or can we find answers so that we will not have to repeat such a brutal cycle?

This trip is important to me as a survivor of the riots because it’s a chance to see what the Black Experience in LA looks like from a Euopean standpoint and offer my insights and information to their inquiries. The experience woud be great to share in the photo book I plan to publish about the LA Riots in 2017. I’ve started a GoFundMe page to assist with the expenses for the trip, so please donate to the cause and/or pass this information on to someone you know who supports these kinds of efforts.

Posted by Loupy D

Lawrence Evan Dotson was born in Los Angeles, California. He decided early in life that he wanted to tell stories. He was a character who could entertain his two older sisters by staging his own version of a church radio broadcast that they would listen to on Sunday nights. His desire to perform followed him through grade school, and in his senior year of high school, a UCLA professor scouted and urged Lawrence to major in theater. Lawrence felt convicted to follow in the footsteps of his father, so instead of declaring Theater Arts as a freshman, he went in undeclared to sit out for a spot in the highly competitive Engineering Department. It only took one calculus class to convince Lawrence that Theater Arts was his calling and that he was going to achieve his goal of being recognized for his talents. While attending UCLA, he combined his interests in art and music and was one of the founders of the UCLA Jazz and Reggae Festival. He was on the Student Committee for the Arts, which put on the Jazz at the Wadsworth Series in conjunction with KKGO FM. Lawrence became more aware of social justice issues affecting the African American community on campus and became active in organizations that promoted positive change. He collaborated with students from other majors and formed the African Theater Collective, which promoted and produced plays from the African Diaspora. That action inspired a performance protest demanding the hiring of more black professors in the Theater Department, and tenure for longtime Professor, Dr. Beverly J. Robinson. The performance was based upon the subject matter that Dr. Robinson taught: the procession of the Black Theater experience in America as depicted through the development of the African slave from the plantations, to the pulpit, to the stage. Blessed with a wealth of knowledge and a rich experience from the University, Lawrence graduated and landed a job as an actor with University Express, an outreach program managed by a former student of Dr. Robinson. The troupe performed plays at Middle and High Schools that stressed the importance of continuing education. The job allowed him enough time to go on auditions, but after a year Lawrence burnt out on the acting treadmill. He met an editor for an underground Hip Hop magazine called No Sellout in 1991. Lawrence had his first article published in the second issue, an interview with L.A. DJ Michael Mixxin Moor. Lawrence began writing under “Loupy D”, coined from a childhood nickname. He wrote articles, reviews and commentary, and conducted interviews with some of Hip Hop’s top entertainers like The Notorious BIG, Wu Tang Clan, Erykah Badu and many others until 2003. In 2015, he earned an MFA in Creative Writing, after submitting a draft of a memoir based on his experiences growing up in post-Civil Rights Era Los Angeles. He's published an academic article, “Persona in Progression: A Look At Creative Nonfiction Literature In Civil Rights and Rap,” in Assay: A Journal of Nonfiction Studies. He also served a brief stint as the music editor for the online writing journal Drunk Monkeys. In between writing stints, Lawrence has and continues to be an avid amateur photographer and independent film professional. He will be releasing books and videos of his work over time, just as soon as he figures out how to balance work life with the life of single parenting two sons.

One Comment

  1. […] I know I’ve been off the radar for a while (I was supposed to go to Europe, but the funding didn’t come through), but I’m working on a new project that I pray will be in time to commemorate the 25th […]

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