I’m here, trying to capture the healing energy of writing. I haven’t taken a chance to blog in a long time, but my journal has been working overtime. Blogs take too long to create, because I get caught up editing them trying to get all the tags and keywords right, in hopes of getting thousands of hits to my site. I’m not a big deal to most people so I chalk up my efforts to wishful viral thinking.
Writing a book is a lot harder than I thought too, especially a memoir. You’d think it would be easy to think of all the memories in your life and put them down on paper. It’s not. There were a lot steps to get from a summer journal, to a full on autobiographical sketch, to a first draft, to a thesis project, to a publication in progress; a lot of tears, a lot of decisions on additions and omissions, and a lot of unblocked memories attest to the effort it takes to accept one’s faults, fates and fears. I’m forcing myself to face down the things that led to this time in my life, and this blog gives my readers some insights on the concurrent circumstances of life I tangle with while dealing with my past in a poetic and literary way.
I can tell you that fatherhood has had a huge impact on my writing habits. Writing is a dream in progress, nebulous and free-flowing, coming to fruition when I least expect it, appreciating the moments when it happens. Fatherhood is a reality in progress, steadfast, uncompromising, something I can expect to face everyday and appreciating it always. I now know how parents can get so wrapped up in their kids’ lives and lose touch with themselves. I have witnessed the power of the attention shifting perils of parenthood!
So the book took a backseat for a while…and the blogging. It’s summertime and I’m feeling ripe to type up some more marvelous stuff, though. A corner is turning as one kid starts kindergarten and the other high school. What a spread, right? I’m going to be young forever! Now I have to bend a corner and get my writing flow on go again.
Send me some encouragement. I need feedback. Are you, or do you know someone who is a parent-writer? I’d love to hear the challenges you go through.
By Loupy D
Lawrence Evan Dotson was born in Los Angeles, California. He decided early in life that he wanted to tell stories. He was a character who could entertain his two older sisters by staging his own version of a church radio broadcast that they would listen to on Sunday nights. His desire to perform followed him through grade school, and in his senior year of high school, a UCLA professor scouted and urged Lawrence to major in theater. Lawrence felt convicted to follow in the footsteps of his father, so instead of declaring Theater Arts as a freshman, he went in undeclared to sit out for a spot in the highly competitive Engineering Department. It only took one calculus class to convince Lawrence that Theater Arts was his calling and that he was going to achieve his goal of being recognized for his talents. While attending UCLA, he combined his interests in art and music and was one of the founders of the UCLA Jazz and Reggae Festival. He was on the Student Committee for the Arts, which put on the Jazz at the Wadsworth Series in conjunction with KKGO FM.
Lawrence became more aware of social justice issues affecting the African American community on campus and became active in organizations that promoted positive change. He collaborated with students from other majors and formed the African Theater Collective, which promoted and produced plays from the African Diaspora. That action inspired a performance protest demanding the hiring of more black professors in the Theater Department, and tenure for longtime Professor, Dr. Beverly J. Robinson. The performance was based upon the subject matter that Dr. Robinson taught: the procession of the Black Theater experience in America as depicted through the development of the African slave from the plantations, to the pulpit, to the stage.
Blessed with a wealth of knowledge and a rich experience from the University, Lawrence graduated and landed a job as an actor with University Express, an outreach program managed by a former student of Dr. Robinson. The troupe performed plays at Middle and High Schools that stressed the importance of continuing education. The job allowed him enough time to go on auditions, but after a year Lawrence burnt out on the acting treadmill. He met an editor for an underground Hip Hop magazine called No Sellout in 1991. Lawrence had his first article published in the second issue, an interview with L.A. DJ Michael Mixxin Moor. Lawrence began writing under “Loupy D”, coined from a childhood nickname. He wrote articles, reviews and commentary, and conducted interviews with some of Hip Hop’s top entertainers like The Notorious BIG, Wu Tang Clan, Erykah Badu and many others until 2003.
In 2015, he earned an MFA in Creative Writing, after submitting a draft of a memoir based on his experiences growing up in post-Civil Rights Era Los Angeles. He's published an academic article, “Persona in Progression: A Look At Creative Nonfiction Literature In Civil Rights and Rap,” in Assay: A Journal of Nonfiction Studies. He also served a brief stint as the music editor for the online writing journal Drunk Monkeys.
In between writing stints, Lawrence has and continues to be an avid amateur photographer and independent film professional. He will be releasing books and videos of his work over time, just as soon as he figures out how to balance work life with the life of single parenting two sons.
View all of Loupy D's posts.